Windy, watercolour on paper, 54 x 73.4 cm, 2018. (Melbourne, Australia)
Windy
Milford Sound
Milford Sound, acrylic on wood, 12.7 x 22.7 cm, 2017. (Melbourne, Australia)
Highly Commended, 9 x 5 Landscape Prize 2017, Australia.
Roger
Roger, pastel on paper, 20.3 x 25.4 cm, 2017. (Melbourne, Australia)
Private collection
dog drawing, dog portrait, pet drawing, pet portrait, pet art
In the Woods
In the Woods, pastel on paper, 20.3 x 25.4 cm, 2017. (Melbourne, Australia)
Apple and Bee
Apple and Bee, pastel on paper, 13 x 23 cm, 2017. (Melbourne, Australia)
Hello, Mr Cow
Hello, Mr Cow, pastel and pencil on paper, 20.3 x 25.4 cm, 2017. (Melbourne, Australia)
Untitled
Untitled, pastel on paper, 13 x 23 cm, 2017. (Melbourne, Australia)
Islands
Islands, watercolour and pencil on paper, 20.3 x 25.4 cm, 2017. (Melbourne, Australia)
Cuckoo Clock
Cuckoo Clock, watercolour on paper, 23.5 x 18 cm, 2017. (Melbourne, Australia)(SOLD)
Looking for some Fish
Looking for some Fish, watercolour on paper, 29.7 x 42 cm, 2017. (Melbourne, Australia)(SOLD)
Private Collection
There’s no one around
There’s no one around, watercolour on paper, 29.7 x 42 cm, 2017. (Melbourne, Australia)
Based on a photo taken in Batu Pahat, my home town in Malaysia.
Hiker and his Dog
Hiker and his Dog, watercolour on paper, 29.7 x 42 cm, 2017. (Melbourne, Australia)(SOLD)
Private collection
The Stranded Boat Became an Island
The Stranded Boat Became an Island, watercolour and pencil on Japanese paper, 20.5 x 29 cm, 2017. (Auckland)
Displayed in the solo exhibition The Moving Landscapes (16/3 – 13/4/2017) at Studio One, Auckland.
Still Life. Monday Morning
Still Life. Monday Morning, watercolour on paper, 53 x 73 cm, 2016. (Melbourne)(SOLD)
The Moving Landscapes
The Moving Landscapes at Studio One, Auckland.
16/3/2017 – 13/4/2017
Continue reading “The Moving Landscapes”Waiting in the Center of the Islands
Waiting in the Center of the Islands, watercolour and pencil on Japanese paper, 20.5 x 29 cm, 2017. (Auckland)
Displayed in the solo exhibition The Moving Landscapes (16/3 – 13/4/2017) at Studio One, Auckland.
The Spinning City
The Spinning City, Chinese ink on rice paper, 65 x 129.5 cm, 2017. (Melbourne, Australia)
Displayed in the solo exhibition The Moving Landscapes (16/3 – 13/4/2017) at Studio One, Auckland.
Chinese ink landscape painting, imaginary landscape, imaginary cityscape
The City with Moving Stairs
The City with Moving Stairs, Chinese ink on rice paper, 35.5 x 118.5 cm, 2017. (Melbourne)
Exhibited in The Fictional Days at Melbourne City Library from 21 Nov – 13 Dec 2018.
Displayed in the solo exhibition The Moving Landscapes (16/3 – 13/4/2017) at Studio One, Auckland.
Chinese ink landscape painting, imaginary landscape, imaginary cityscape
Bird’s Eye View of a City
Bird’s Eye View of a City, Chinese ink on rice paper, 35.5 x 121.5 cm, 2017. (Melbourne, Austalia)
Displayed in the solo exhibition The Moving Landscapes (16/3 – 13/4/2017) at Studio One, Auckland.
Chinese ink landscape painting, imaginary landscape, imaginary cityscape
Went for a Walk
Went for a Walk, Chinese ink on rice paper, 28.5 x 95.3 cm, 2017. (Melbourne)
Displayed in the solo exhibition The Moving Landscapes (16/3 – 13/4/2017) at Studio One, Auckland.
Chinese ink landscape painting, imaginary landscape, imaginary place
The Secret Garden
The Secret Garden, Chinese ink on rice paper, 38 x 100.5 cm, 2017. (Melbourne) (SOLD)
Highly commended, Bayside Art Show 2017, Melbourne
Exhibited in The Fictional Days at Melbourne City Library from 21 Nov – 13 Dec 2018.
Displayed in the exhibition The Moving Landscapes (16/3 – 13/4/2017) at Studio One, Auckland and The Fictional Days (21/11 – 13/12/2018) at City Library, Melbourne.
Chinese ink landscape painting, imaginary landscape, imaginary place
The Barter Project (article)
I looked at the three brushes in my hand. Natsumi said, these brushes were from her grandpa. Her grandpa liked to create poetry, write calligraphy and make painting when he was alive. By passing down his brushes, he hoped that the young generation would carry on his spirit and will in creation.
Continue reading “The Barter Project (article)”
City in the Darkness
City in the Darkness, ink on paper, 28 x 29 cm, 2017. (Sengawa, Tokyo)
*This work is part of The Barter Project taken place in Tokyo.
The Barter Project invites you to exchange a work of art by the artist with any item. Yi Pei welcomes you to view and reserve the artwork you are interested in and meet up with him to exchange it with an item you select. With the story embedded in Yi Pei’s art-making as well as the story brought by you alongside your item, the Barter Project encourages a reciprocal act that aims to facilitate a conversation.
Street View in Sengawa
Street View in Sengawa, ink on paper, 24.2 x 27.2 cm, 2017. (Sengawa, Tokyo)
Chinese ink landscape painting
Continue reading “Street View in Sengawa”Street View
Street View, ink on paper, 24.2 x 27.2 cm, 2017. (Sengawa, Tokyo)
Chinese ink landscape painting
Continue reading “Street View”Good Night, City
Good Night, City, ink on paper, 28 x 40.8 cm, 2017. (Sengawa, Tokyo)
Chinese ink landscape painting, cityscape
Continue reading “Good Night, City”The Roofs
The Roofs, ink on paper, 27 x 42.2 cm, 2017. (Sengawa, Tokyo)
Chinese ink landscape painting, cityscape
Continue reading “The Roofs”City View
City View, ink on paper, 29.7 x 42 cm, 2017. (Sengawa, Tokyo)
Chinese ink landscape painting, imaginary landscape, imaginary cityscape
Continue reading “City View”Year of Rooster
Year of Rooster, paper cutting and watercolour on paper, 2016. (Sengawa, Tokyo)
Continue reading “Year of Rooster”
LOH Yi Pei 