City with Painted Nature (2), watercolour on paper, 10.5 x 10.5 cm, 2019. (Melbourne, Australia)
imaginary landscape, imaginary cityscape
COLOURFUL IMAGINATION
City with Painted Nature (2), watercolour on paper, 10.5 x 10.5 cm, 2019. (Melbourne, Australia)
imaginary landscape, imaginary cityscape
Still can recall the fun of drawing these bottles of oil π
*I am revisiting my first solo exhibition βOily Recordsβ (2015) and rearranging the images at lohyipei.com*
Continue reading “Bottles of Oil (4 Images)”We laid the nets around the trees. The nets were extended as long as possible in between trees. We brought down olives by using the harvesters which looked like giant forks that shook automatically. Olives would fly down blindly and hit on my face, dropped into my boots and sometimes into my gloves (don’t know how it happened). We transferred the olives from the nets into the baskets and lastly they would be sent to the factory for cold-press.
*I am revisiting my first solo exhibition βOily Recordsβ (2015) and rearranging the images at lohyipei.com*
Continue reading “Harvest Days (5 images)”*I am revisiting my first solo exhibition βOily Recordsβ (2015) and rearranging the images at lohyipei.com*
Continue reading “The Grove (4 images)”Branches of olive trees are a great material for drawing. They looked elegant on paper.
*I am revisiting my first solo exhibition βOily Recordsβ (2015) and rearranging the images at lohyipei.com*
Continue reading “Branches of Olive Trees (4 Images)”Herds of sheep or cows were guests of the olive grove. They were from the neighbours. Occasionally, I would walk Roger in the grove. Sometimes, he would run next to me if I jog in the grove. He usually got excited when the sheep were around and he would chase after them for no reason (I guess so).
*I am revisiting my first solo exhibition “Oily Records” (2015) and rearranging the images at lohyipei.com*
Continue reading “Animals at the Grove (5 Images)”Fish Fish Fish, watercolour on paper, 21 x 26 cm, 2019. (Melbourne, Australia)
Exhibited in Stroll, Stop and Stare at Toot Artspace from 1/8 β 18/8/2019.
Sorry, not Today, watercolour on paper, 21 x 26 cm, 2019. (Melbourne, Australia)
Exhibited in Stroll, Stop and Stare at Toot Artspace from 1/8 β 18/8/2019.
After the Leaves Fall, watercolour on paper, 21 x 29.7 cm, 2019. (Melbourne, Australia)
Exhibited in Stroll, Stop and Stare at Toot Artspace from 1/8 β 18/8/2019.
93 Fitzroy Street, watercolour on paper, 21 x 29.7 cm, 2019. (Melbourne, Australia)
Exhibited in Stroll, Stop and Stare at Toot Artspace from 1/8 β 18/8/2019.
Chimneys and Birds, watercolour on paper, 21 x 29.7 cm, 2019. (Melbourne, Australia)
Exhibited in Stroll, Stop and Stare at Toot Artspace from 1/8 β 18/8/2019.
Letter Box on the Roof, watercolour on paper, 21 x 29.7 cm, 2019. (Melbourne, Australia)
Exhibited in Stroll, Stop and Stare at Toot Artspace from 1/8 β 18/8/2019.
Living Rainbow, watercolour on paper, 21 x 29.7 cm, 2019. (Melbourne, Australia)(SOLD)
Exhibited in Stroll, Stop and Stare at Toot Artspace from 1/8 β 18/8/2019.
City in Stripes, Chinese ink and watercolour on paper, 42 x 30 cm, 2019. (Melbourne, Australia)
10/4 – 27/4/2019 (Wed – Sat, 12 – 5 PM) on display at Rubicon ARI, Level 1, 309 Queensberry Street, Melbourne 3000, VIC.
Chinese ink landscape painting, imaginary landscape, imaginary cityscape
City with Painted Nature, watercolour on paper, 10.5 x 10.5 cm, 2019. (Melbourne, Australia) (SOLD)
10/4 – 27/4/2019 (Wed – Sat, 12 – 5 PM) on display at Rubicon ARI, Level 1, 309 Queensberry Street, Melbourne 3000, VIC.
Chinese ink landscape painting, imaginary landscape, imaginary cityscape
Shadow from Unknown Space (2), watercolour on paper, 10.5 x 10.5 cm, 2019. (Melbourne, Australia) (SOLD)
10/4 – 27/4/2019 (Wed – Sat, 12 – 5 PM) on display at Rubicon ARI, Level 1, 309 Queensberry Street, Melbourne 3000, VIC.
Chinese ink landscape painting, imaginary landscape, imaginary cityscape
Watercolour on paper made in 2014-15, inspired by Waiheke Island, New Zealand.
Continue reading “Boats of Waiheke Island (11 images)”Travelling, watercolour on paper, 31 x 50.5 cm, 2018. (Melbourne, Australia)
Growth, watercolour on paper, 25 x 35 cm, 2018. (Melbourne, Australia)
Everlasting Flower, watercolour on paper, 25 x 35 cm, 2018. (Melbourne, Australia)
Feeling Safe, watercolour on paper, 25 x 35 cm, 2018. (Melbourne, Australia)
Melting Rock, watercolour on paper, 25 x 35 cm, 2018. (Melbourne, Australia)
Flowery Boots, watercolour on paper, 25 x 35 cm, 2018. (Melbourne, Australia)
Spider King, watercolour on paper, 25 x 35 cm, 2018. (Melbourne, Australia)
We Live Together, watercolour on paper, 25 x 35 cm, 2018. (Melbourne, Australia)
Reborn and Reborn, watercolour on paper, 18 x 23 cm, 2018. (Melbourne, Australia)
Measuring the Ground, watercolour on paper, 18 x 23 cm, 2018. (Melbourne, Australia)(SOLD)
Flying with Colours, watercolour on paper, 18 x 23 cm, 2018. (Melbourne, Australia) (SOLD)
Blossoming without Flower, watercolour on paper, 18 x 23 cm, 2018. (Melbourne, Australia)
Exhibition Period: 4 – 14 Oct
Opening: 4th Oct, 6:30 – 8pm
Curiosity Wood by Yi Pei Loh presents a mystical and mysterious forest that invites the viewers into the artistβs imaginary land which peculiar, strange and sensitive living things share their stories. The illustrated flora and fauna are metaphor of feelings and emotions of human being.
Continue reading “Curiosity Wood: Exhibition at Tacit Studio”